Browse Opportunities



Talus logo white on black
Detailed Song Critique & Feedback from TALUS staff
submission price: $25.00

Detailed Song Critique & Feedback from TALUS staff

Submit your song for a detailed critique by electronic artist Tim White and TALUS A&R and Product Manager, Mike Strickland.

Submissions will also automatically be considered for representation.


Audio plugz
I will critique and help you fix your song
submission price: $10.00

Audio Plugz will critique and help you fix your song and/or production

I will personally critique and help you tweak/fix your song and/or production.

So many of your submissions may not be getting selected for simple things, but you wouldn't know unless someone physically sat down and told you what it is and how to correct it. Well I am here to help you do that. I will critique all genres of music and help you make it more "sellable", whether it is lyrics, melodies or tracks, I will help take your music to another level. This will be a 2-way conversation and not just me telling you what to do, but you and I both working together. Let's turn your music into something great!

- Kandi Robinson / Creative Director & CEO - The Audio Plugz


Screen shot 2015 04 27 at 3.52.10 pm
"How to build a successful band" Career Coaching
submission price: $20.00
unrated

"How to build a successful band" Career Coaching

Reggie Calloway, Grammy-nominated, multi platinum former leader of Midnight Star, this month answers questions and discusses, "How to build a successful band"

The five time Grammy-nominated Reggie Calloway has always displayed a unique ear for music and trends. It is no surprise that the music pioneer received a Grammy nomination for R&B Songwriter of the Year for the hit song “Casanova” in 1987.

Best known as the founder and leader of one of the most popular Techno-funk bands, Midnight Star, Calloway led the group to international success by writing, producing and arranging a string of top mega #1 hits including, “Operator,” “No Parking On The Dance Floor,” “I Wanna Be Rich” and “Freak-a-zoid.”

One of Calloway’s original compositions entitled, “I’ll Be Good For You,” was featured on N’Sync’s multi-platinum CD, No Strings Attached (highest selling album of the last decade). He has also penned songs for the chart-topping group Levert (“Casanova”), the sultry Teddy Pendergrass (“Joy”), Grammy-winning Gladys Knight (“Love Overboard”) and “Jump Start My Love” for Natalie Cole.


Stu big. this
THE GUY WHO DISCOVERED ELTON JOHN AND BERNIE TAUPIN, LOOKING FOR TALENT
submission price: $0.00

THE GUY WHO DISCOVERED ELTON JOHN AND BERNIE TAUPIN, LOOKING FOR TALENT

Ray Williams and I are looking for talent . We will listen to your song/track, if it needs work, I will offer my services. If chosen it will go forward into his publishing company Crumbs music and we will give you advise on your music Career.

- Stuart Epps - Producer - Epps Music Production


Z5eahbfg 400x400
A&R feedback and consulting
submission price: $5.00

A&R feedback and consulting

I'm opening up submissions for detailed A&R critiques.

Former A&R for Sire Records/Warner Music Group who recently launched an indie label dedicated to helping artists.

Yo Peep This is a management and consulting company to the artist community and music business. Projects focus on artist services, A&R, and product management. Representing Cashy (EMPIRE) and The Vaughns for management. Consulting Gina Brooklyn (InGrooves) amongst others.

https://www.allmusic.com/artist/eric-mclellan-mn0003137943

- Eric McLellan - Artist Services: Management and Music Strategy - Yo Peep This / Squeeze Play LLC


Audity music logo
Offering song critiques for J-pop and K-pop markets
submission price: $30.00

Offering song critiques for J-pop and K-pop markets

In this dropbox, Audity Music is offering the opportunity for expert critique of your song with an eye towards helping you understand what is required to make records that work in the Japan and Korea markets.

Audity has an especially strong niche in Asia, having relationships with top songwriters, producers, record labels, publishers and other key players that are difficult to rival. Our on-the-ground experience in Japan and Korea has given us the opportunity to develop a unique expertise in both markets. Now, we are offering to share our knowledge with you in order to boost your chances of successful pitching and placement in Asia. A lot of writers come to us seeking information about and access to the Asia markets. Here's your chance.

Why YOU should consider Asia?
Japan is the second largest music market in the world, not very far behind the U.S. in terms of annual music revenues. If you ignore Japan, you could be giving up substantial income as a songwriter; indeed you may find that income in Japan exceeds income in your home market if you can create the music sought in the Japanese market and have the right avenues in which to pitch it. Additionally, Korea is a very strong market in Asia that tends to lean a bit more Western in its music soundscape. the K-pop market has been growing increasingly strong in recent years, especially on the international scene as Korean record labels have been excellent as pushing K-Pop outside of Korea and even outside of Asia to Europe, America, South America, etc.

China/Taiwan is another growing force to be reckoned with and strongly considered by songwriters as China's intellectual property protection and licensing regime comes into form. You will find that all the major U.S. labels, Korean labels, Japanese labels, etc are now partnering with Chinese companies to be prepared for when China's regime truly comes online. And, Mandopop is a strong force in China, largely emanating from Taiwan.

If you want Audity Music's expertise on Asia markets for your benefit, submit here! We encourage writers to pursue the diversification of markets for their music and always have an international mindset. Music is the universal language after all!

If we REALLY like your song(s) and think has placement potential with some additional production/editing/co-writing, we may be in touch via direct message to work further with you and offer such services. And, if we think your song(s) is already a good fit for the markets, we may reach out to discuss representation of your music in Asia and beyond. Again, Asia is our particularly unique niche. However, we pitch music around the world. We're not here to just take fees. We want to find great writers and work with them! Our expert critiques will take time significantly more time than simply voting "Selected" or "Not Selected", thus the higher submission fee.

Looking forward to hearing your songs!

- Audity Music, LLC